The pandemic has changed the way we live and work. In recent months my workflow had to adapt to this new reality. Even the type of work I do changed a bit. With that, the demand to carry out all the creative and production processes from “home or studio” is ever stronger. And to do this, you have to adapt and renew yourself and your workflow. So I did. These are times of change, complicated, but there are also new opportunities....
Back in August 2019, Venus Optics launched Laowa 4mm f/2.8 fisheye lens, priced at only $199. It was originally created for MFT mount only, but Venus Optics will soon give you more options. The Laowa 4mm f/2.8 fisheye lens is coming soon in three new mounts: Sony E, Fuji X, and Canon EF-M. This lens offers a super-wide 210° field of view and noticeable distortion. It practically sees behind itself, and it can be a great tool for creating 360° content....
I don’t know when mounting strobes the wrong way around inside softboxes became a thing. But, apparently it is. More mysterious than the “when”, though is the “why?”. The Shwop is a new product on Kickstarter that lets you do exactly this, though. Reverse mount a strobe inside a softbox. They do list a few benefits of working this way on the campaign page, although I’m not entirely convinced. Putting me off even further is the fact that what essentially amounts to a fancy flash bracket costs more than the strobes it holds....
Eyes are the windows to the soul and a very important element in every portrait photo. In this video, photographer David Bergman focuses on a very particular part of portrait photography – catchlights. In only two minutes, he’ll teach you why catchlights are important in your portraits. But he also shares a tip about what you can learn what you can learn from other people’s photos only by analyzing catchlights....
Have you ever had the feeling that you predicted the future by something you’d photographed? With this light painting image, it seems like Jason D. Page knew something before the rest of us. He took this photo as a single frame, using different tools from Light Painting Brushes. He recently published it and noted that it looks a lot like coronavirus. The funny thing is that it wasn’t inspired by the current situation – it was taken two years before it!...
