G’day from Australia, my name is Jason De Freitas (@jase.film on Instagram), and I’m a photographer mostly known for my analog astrophotography. In this article, I’ll describe the process and decisions I went through to take this lunar eclipse multi-exposure sequence on medium format film. The Aim The Aim There are two common but very pleasing eclipse sequence shots that I’ve seen a lot. The first kind of sequence is the process where you take several different photos of the moon during different phases of the eclipse with a long focal length to combine them later in Photoshop....

Blackmagic has done some pretty amazing things with DaVinci Resolve over the last few versions. It’s gone from being just colour grading tool (I say “just”, but it always led the way in that field) to a fully-fledged editing application that now incorporates both Fusion for motion graphics and visual effects as well as Fairlight for audio processing. I’ve even started to make the switch to Resolve myself lately. As such, I’ve been following a few new people on YouTube who make Resolve tutorials; Particularly those working with Fusion....

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This is one of those exercises that, while a little boring to do, can make those valuable lens investments worth so much more. Fortunately, it’s something that only takes about 10 or 15 minutes to do, and when it’s done, you’re all set. That exercise is finding the “sweet spot” of your lens. Essentially, figuring out at what aperture it performs best and gives the sharpest, cleanest results. This video from photographer Mark Denney walks us through the process....

At this time of year, having Christmas lights in the background of your shots is not only common, it’s desired. Especially for those bokeh fanatics. The last few years, though, there’s been a trend away from the more traditional Christmas lights toward low energy LEDs. Being in the room with them, just looking at them, it’s likely that most people will never see the difference. To a camera, however, it’s a different story....